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Post-production operator at a broadcast control room console, surrounded by monitors during a late shift
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In post, the AI worth having never touches the creative.

Post-production has a reasonable suspicion of artificial intelligence, and creative work is not where it belongs. Underneath the timeline, though, sits an estate nobody can fully see: camera originals, proxies, versions, masters, and decades of archive spread across every tier. That is where AI earns its place, and where it gives your artists their nights back.

In post, the AI worth having never touches the creative. →

Files and folders streaming as light through a data center aisle, representing unstructured data in motion
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Interview with Tony Chidiac | AI does not stall on infrastructure. It stalls on data.

Tony Chidiac spent four years selling the infrastructure foundation for artificial intelligence, rising to Head of Worldwide AI Sales at NetApp. He watched hundreds of companies buy the foundation and still fail to get results. Now Diskover’s chief revenue officer, he explains what sits between a company and a working AI program, and why the answer is the data nobody can see.

Interview with Tony Chidiac | AI does not stall on infrastructure. It stalls on data. →

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